The Game of Attribution
In 1937, one of the world’s most authoritative art historians, Abraham Bredius, was approached by a lawyer on behalf of a Dutch family estate to inspect a painting of a Christ and the Disciples at Emmaus (pictured above). Bredius dedicated many years of his life studying the artwork of Johannes Vermeer. After inspecting the painting, he wrote that it is not only a Vermeer, but one the greatest pieces Vermeer ever created. Han Van Meegeren, a mediocre Dutch artist, had in fact forged the work of Vermeer. The above piece was sold during WWII to Nazi Field-Mashal Hermann Goering. Van Meegeren was charged as a Nazi collaborator, but claimed he was national hero. This was because he traded the forgery for 200 original Dutch paintings seized by Goering at the beginning of the war. To fool Abraham Bredius, the 83 year old art historian whose words were taken as gospel, Van Meegeren had to lay as many clues (or false flags) as he could. This involved making a new painting look like it was o